下列有关我国疆域的叙述，正确的是（    ）

基尼系数是判断居民内部收入分配差异程度的指标，该系数介于0～1之间，值越小表明收入分配越平均，反之，表明收入差距越大。国际上通常把0.40作为贫富差距的警戒线。2010-2014年，中国收入再分配后的基尼系数分别是0.481、0.477、0.474、0.473和0.469。对比下图，不考虑各国发展阶段和发展水平的差异，可以推断出（   ）

①近年来，中国的贫富差距越来越大，而且高于图中发达国家
②法国收入再分配政策对贫富差距的调整效果比英国更明显
③中国应运用税收、社会保障转移支付等手段强化再分配功能
④发达国家依赖以市场为主导的收入分配机制实现社会公平

下面两幅照片分别为某国“街头常见景观”（图1）和“著名古迹”（图2）。读图，回答下列问题。

图1                                                     图2

    The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009. For the most part, the response has been favorable, to say the least. “Hooray! At last!’’ wrote Anthony Tommasini, a sober-sided classical-music critic.
    One of the reasons why the appointment came as such a surprise, however, is that Gilbert is comparatively little known. Even Tommasini, who had advocated Gilbert’s appointment in the Times, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.
    For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes.
    Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20th century. These recordings are cheap, available everywhere, and very often much higher in artistic quality than today’s live performances; moreover, they can be “consumed” at a time and place of the listener’s choosing. The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical concert.
    One possible response is for classical performers to program attractive new music that is not yet available on record. Gilbert’s own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestra’s repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship between America’s oldest orchestra and the new audience it hopes to attract.

根据地球表面海陆相对集中的程度，可以将地球划分为陆半球和水半球，它们分别是以西经1°32′、北纬47°13′和东经178°28′，南纬47°13′为中心划分的两个半球，读图回答（1）~（3）题。

陆半球                      水半球